
For Nimbus II, Smilde suspends a new cloud in a vaulted chapel-like space painted all-white and bounded on two sides with tall windows framing an ominous winter light. The cloud, which is backlit, seems to have absorbed all the life out of the room, thus obliterating any notion of whimsy or irony the images may have initially suggested and imparting the scene with an eeriness that is both disturbing and strangely magnetic. Smilde says that his installations, which were developed for the online gallery probe, give form to “physical presence found within transitional space.” In this way, the works exist more fully as ideas committed to photographs, living evidence of the thaumaturgic power of the artist.
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